My Portfolio
Welcome to my portfolio. Here you’ll find a selection of my work. Explore my projects to learn more about what I do.
"Or maybe not" Acrylic, charcoal and soft pastel on paper London, 2026
16.5 W × 11.7 H × 0.1 D inches
A sense of closeness that could never be fully resolved.
Fragments, traces, and half-remembered forms linger across the surface — suspended somewhere between presence and reconstruction.
Not a portrait, but the residue of a feeling.
Or merely a space rebuilt by memory.
"Or maybe not"
"It Never Really Left"
It Never Really Left
Acrylic, charcoal and soft pastel on paper
London, 2026
66.2 W x 23.4 H x 0.1 D inches
What disappears does not always leave.
Fragments linger beneath the surface —
part presence, part reconstruction.
Not a return,
but evidence that it never fully disappeared.
"Echoes From Stone Stay Remembered"
“Echoes From Stone Stay Remembered”
Acrylic and branch markings on paper
London, 2026
46.8 W x 33.1 H x 0.1 D inches
Fragments of ancient symbols linger across the surface like distant transmissions.
Hidden throughout the painting are markings inspired by the carved stones of Gobeklitepe, drawn using a tree branch to preserve a more primitive and ritualistic gesture.
Moving between archaeology, memory, and the unknown vastness of space, the work reflects on traces that continue to survive long after their origin has disappeared.
"Controlled Chaos"
"Controlled Chaos"
Acrylic on paper
London, 2026
33.1 W x 23.4 H x 0.1 D inches
A field of tension held in place.
Gestures collide, resist, and overlap - yet something at the centre insists on staying intact.
Chaos, not as collapse, but as a form of control still being negotiated.
"In Passing"
"In Passing"
London, 2026
Acrylic on paper
33.1 W x 23.4 H x 0.1 D inches
Some places quietly collect conversations.
Layers of sound, pauses, unfinished thoughts until the room itself begins to hold them.
"Unresolved Transition"
Unresolved Transition
Acrylic on paper
Battersea Park Lake, London, 2026
16.5 W × 11.7 H × 0.1 D inches
A suspended moment between dissolution and emergence.
Drawn from the shifting light and reflections of Battersea
Park Lake,
the surface holds what resists clarity - traces of what was, and fragments of what is still becoming.
"The Last Warm Colour"
The Last Warm Colour
Acrylic on canvas
London, 2020
15.7 W x 15.7 H x 0.8 D inches
A warmth lingering briefly beneath shifting surfaces.
A window, a threshold, or perhaps only a memory held in colour.
"Against the Wind"
Against the wind
Acrylic on paper
2026, London
5.8 W × 8.3 H × 0.1 D inches
"Hidden Deep Within"
Hidden deep within
Charcoal on paper
2026, London
5.8 W × 8.3 H × 0.1 D inches
"What Was Left Behind"
What was left behind
Charcoal on paper
2026, London
5.8 W × 8.3 H × 0.1 D inches
What remains
Charcoal on paper
2026, London
5.8 W × 8.3 H × 0.1 D inches
"What Remains"
"Where Sirius Once Fell"
Once Sirius just Fell
Acrylic on paper
2026, London
33.1 W x 23.4 H x 0.1 D inches
Emerging from a recurring dream about Sirius, and Gobeklitepe, the work explores the idea of places that seem to retain traces of ancient knowledge long after their origins have disappeared.
Rather than functioning as an archaeological reference, Gobeklitepe appears here as a symbolic threshold suspended between ritual, celestial orientation, and collective memory.
The painting preserves not the dream itself, but its atmosphere: sacred light, erosion, silence, and the uneasy sense that certain landscapes continue to remember.
"Residual Pleasure"
"Residual Pleasure"
Acrylic and pastel on paper
84.1 × 59.4 cm (A1)
London, 2026
Created during a live painting session, the work began with the presence of a model but gradually drifted away from direct observation. Rather than recording a likeness, the figure became a site of reconstruction — shaped by memory, instinct, and emotional response.
The fragmented contours and shifting forms reflect an interest in the body not as a fixed image, but as something continuously reinterpreted through perception. Suspended between gesture and recollection, the figure remains present while simultaneously dissolving into the atmosphere from which it emerged.
"Soft Anatomy"
"Soft Anatomy"
Acrylic and soft pastel on paper.
59.4 × 84.1 cm (A1).
Chelsea, London, 2026.
"Between Words"
"Between Words"
Acrylic on paper
84.1 × 59.4 cm (A1)
London, 2026
An attempt to trace the atmosphere of a long conversation not through language, but through what moved silently beneath it.
"Between Easels"
Between Easels
Acrylic on paper
84.1 × 59.4 cm (A1)
London, 2026
Emerging from a live painting session, the work explores the fragile space between observation and presence where the figure slowly dissolves into the atmosphere of the studio itself